Coming soon from film historian James Neibaur, The W.C. Fields Films (Mcfarland & Co).
I, for one, am looking forward to this new book, which I expect will include information on the 1926 film, It's the Old Army Game, which starred W.C. Fields and Louise Brooks.
From the publisher: "W.C. Fields was one of the top comedians during Hollywood's Golden Era of the 1930s and 1940s and has since remained a comic icon. Despite his character's misanthropic, child-hating, alcoholic tendencies, his performances were enduringly popular and Fields became personally defined by them. This critical study of his work provides commentary and background on each of his films, from the early silents through the cameos near the end of his life, with fresh appraisals of his well known classics. Pictures once believed to be lost that have been discovered and restored are discussed, and new information is given on some that remain lost."
James L. Neibaur is a film historian and educator with more than a dozen books and articles in Cineaste, Classic Images, Film Quarterly, Films in Review, Filmfax, and Encyclopaedia Britannica. Among his books are James Cagney Films of the 1930s (2014), Buster Keaton's Silent Shorts: 1920-1923 (2013), The Charley Chase Talkies: 1929-1940 (2013), The Silent Films of Harry Langdon (1923-1928) (2012), Stan Without Ollie: The Stan Laurel Solo Films, 1917-1927 (2012), Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios (2011), The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia (2010), Chaplin at Essanay: A Film Artist in Transition, 1915-1916 (2008), and Arbuckle And Keaton: Their 14 Film Collaborations (2006).
I, for one, am looking forward to this new book, which I expect will include information on the 1926 film, It's the Old Army Game, which starred W.C. Fields and Louise Brooks.
From the publisher: "W.C. Fields was one of the top comedians during Hollywood's Golden Era of the 1930s and 1940s and has since remained a comic icon. Despite his character's misanthropic, child-hating, alcoholic tendencies, his performances were enduringly popular and Fields became personally defined by them. This critical study of his work provides commentary and background on each of his films, from the early silents through the cameos near the end of his life, with fresh appraisals of his well known classics. Pictures once believed to be lost that have been discovered and restored are discussed, and new information is given on some that remain lost."
James L. Neibaur is a film historian and educator with more than a dozen books and articles in Cineaste, Classic Images, Film Quarterly, Films in Review, Filmfax, and Encyclopaedia Britannica. Among his books are James Cagney Films of the 1930s (2014), Buster Keaton's Silent Shorts: 1920-1923 (2013), The Charley Chase Talkies: 1929-1940 (2013), The Silent Films of Harry Langdon (1923-1928) (2012), Stan Without Ollie: The Stan Laurel Solo Films, 1917-1927 (2012), Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios (2011), The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia (2010), Chaplin at Essanay: A Film Artist in Transition, 1915-1916 (2008), and Arbuckle And Keaton: Their 14 Film Collaborations (2006).
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