Two films featuring Louise Brooks will be shown in Toronto at the Goethe-Institut. Pandora's Box will be shown on Thursday, April 19th and Diary of a Lost Girl will be shown on May 24th. Both screenings are set for 7 pm. Further information here.
FILMS AT THE GOETHE-INSTITUT TORONTO Kinowelt Hall
163 King St. W. (St. Andrew subway), 416/593-5257
-admission $5., reservations possible, 18 yrs. +
Silent Films with live accompaniment by some of Toronto’s most innovative contemporary musicians!
Thu, Apr 19, 7pm
Pandora’s Box (“Die Büchse der Pandora”),1929, large screen projection, 131 min, by Georg Wilhelm Pabst, with Louise Brooks, Fritz Kortner - Five Stars/Now Magazine With live music accompaniment by Marilyn Lerner (piano) and Mark Duggan (marimba/percussion).
Pandora’s Box is the story of Lulu, a femme fatale, whose innocent sexuality destroys the men around her. The best known of G.W. Pabst’s works, and the most famous masterwork of eroticism and desire in German silent film!
Thu, May 10, 7pm
Madame Dubarry,1919, 16mm, 92 min,
by Ernst Lubitsch, with Pola Negri, Emil Jannings. With live music accompaniment by Susanna Hood (voice) and Debashi Sinha (percussion).
Lubitsch’s first historical film and the best of his early silent films, Madame Dubarry is the story of a poor French seamstress who sleeps her way to the top in the court of King Louis XV and ultimately suffers the consequences. Legendary screen actress Pola Negri plays the courtesan, and the inimitable Emil Jannings plays the king. This film was a big audience success at its time! Rare screening!
Thu, May 24, 7pm
Diary of a Lost Girl (“Tagebuch einer Verlorenen”), 1929, 16mm, 100 min, by Wilhelm Pabst, with Siegfried Arno, Louise Brooks. With live music accompaniment by Kathleen Kajioka (violin) and Rich Brown (electric bass).
As in Pandora's Box, Brooks plays an outcast, but when the film begins, Thymiane is a world away from Pandora's Lulu. Whereas Lulu had men eating out of her hand, Thymiane is an innocent cast adrift in a hostile world. Thymiane is less in control of the men around her and much more dependent on them than they are on her. After enduring many hardships in the first half of the film, the second half sees Thymiane gain the strength to reassert herself and take back control of her life.
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