Louise Brooks inspired film The Chaperone shows in Lawrence, Kansas on April 18th

A special preview screening of the new film, The Chaperone, based on the best-selling book by  author Laura Moriarty and adapted by Downton Abbey creator Julian Fellowes, will take place at Liberty Hall in Lawrence, Kansas on April 18th. [The film opens in Lawrence the following day.]

The screening will be followed by a Q&A with Lawrence author Laura Moriarty & moderator Laura Kirk. Books will be available for sale & signing. More information about the event may be found HERE.

This special event marks a return of-a-kind to Lawrence by Louise Brooks. As a member of Denishawn, Brooks danced in Lawrence on Friday, February 1, 1924 at the Bowersock Theatre, which was later renamed Liberty Hall. More background on the book and film can be heard on this Kansas Public Radio program featuring an interview with Laura Moriarty. Click on the LINK to listen.

Synopsis: Louise Brooks, the 1920s silver screen sensation who never met a rule she didn’t break, epitomized the restless, reckless spirit of the Jazz Age. But, just a few years earlier, she was a 15 year-old student in Wichita, Kansas for whom fame and fortune were only dreams. When the opportunity arises for her to go to New York to study with a leading dance troupe, her mother (Victoria Hill) insists there be a chaperone. Norma Carlisle (Elizabeth McGovern), a local society matron who never broke a rule in her life, impulsively volunteers to accompany Louise (Haley Lu Richardson) to New York for the summer.

Director: Michael Engler
Writers: Julian Fellowes (screenplay by), Laura Moriarty (based on the book by)
Stars: Haley Lu Richardson, Elizabeth McGovern, Miranda Otto
Genre: Drama
Rated: Unrated
Running Time: 1h, 43min
Doors open 1 hour prior to showtime.
For  more information on Liberty Hall, visit www.libertyhall.net/about

Liberty Hall (then the Bowersock Theatre) as it looked around the time Louise Brook danced there as a
member of the Denishawn dance Company

Liberty Hall in 1925, which was then showing the Colleen Moore film, The Perfect Flapper

Liberty Hall today, which will host the first Kansas screening of The Chaperone

Historical inaccuracies in The Chaperone - the new Louise Brooks-inspired film from PBS Masterpiece

The new film from PBS Masterpiece, The Chaperone, is an enjoyable period piece which all fans of Louise Brooks will want to see. I like it, and you may too.

Based on Laura Moriarty’s 2012 novel of the same name, which in turn is based on real incidents in  Brooks’ life, The Chaperone focuses on the fictional story of the woman (played by Elizabeth McGovern) who accompanied the teenage Brooks (played by Haley Lu Richardson) to New York City in the summer of 1922. As most fans know, the future film star left her home in Wichita, Kansas to study dance with Denishawn.

As might be expected of an historical drama from PBS, this production gets a lot of the details right -- especially in regards to costuming and the film's Jazz Age ambiance (vintage cars, vintage interiors, and even vintage attitudes). The film also gets things right in regards to its nuanced depiction of Denishawn,  no doubt due to the guidance of dance historian Suzanne Shelton, author of the excellent Divine Dancer: A Biography of Ruth St. Denis, who is listed in the credits.

However, the film stumbles in regards to certain aspects of Brooks and film history. The Chaperone begins and ends with a scene (twenty years later) where McGovern's character visits her now older friend, who is up in her room licking her wounds after her film career has collapsed. As McGovern's character climbs the stairs to the room where the fallen star is hiding out, the camera glimpses walls covered with framed magazine covers, portraits, stills and film posters highlighting Brooks’ meteoric career. According to the film, these were items collected by Brooks’ mother.

Perhaps for the sake of visual consistency, the filmmakers have inserted Haley Lu Richardson’s likeness in place of Brooks - each item nevertheless corresponds to recognizable magazine covers, photographic portraits and film poster from Brooks' career. However, this is where The Chaperone gets it wrong, in that two of the posters shown date from decades later. Those two posters are shown below.

The poster for Pandora’s Box is a nifty fan creation, and is less than ten years old. The French poster for Diary of a Lost Girl (Le Journal d'une fille perdue) dates from the 1980s or 1990s, when the film was revived for the first time.

What’s more, even if they weren't historical anomalies, Brooks’ mother would not have been able to acquire posters of these two films. As most film buffs know, Pandora’s Box was a German release with a troubled history. It was largely considered a flop, received mostly negative reviews, and suffered only limited distribution in the United States. In fact, it was shown on less than ten occasions in the United States, and was certainly not shown in Wichita or anywhere near Kansas until at least four or five decades later, well after this scene takes place. The same goes for Diary of a Lost Girl, an even more problematic release which didn't debut in the United States until the late 1950s. It too did not show in Wichita until many years later.

In that same closing scene, McGovern's character tells Louise not to make light of her accomplishments as an actress, saying “As for the German films, Pandora’s Box haunted me for weeks.” Again, this is an historical little white lie meant to advance the story-line. The chaperone could not have seen either of Brooks' German films -- unless she had traveled to Taliesin, the home of Frank Lloyd Wright in southwestern Wisconsin, in May of 1934. That's the closest Pandora’s Box ever came to Kansas back in the day.

The Chaperone's heart is in the right place. It is an otherwise well intended and historically correct tribute to Brooks. One lovely bit that pleased me is the clip of Brooks’ shown dancing a Denishawn routine in Pandora’s Box as The Chaperone credits are set to roll. It’s an appropriate touch.

Go see The Chaperone. And let us know what you think. Here is a slightly different trailer for the film. For information about the film can be found at www.thechaperonefilm.com.

The Chaperone plays in Australia, with special guest appearance by Elizabeth McGovern

Thank you to longtime Louise Brooks Society member Camille Scaysbrook who let everyone know that The Chaperone will be playing at the Art Deco Cremorne Orpheum theatre in Sydney, Australia . This special screening takes place on Tuesday, April 9 at 6:45 pm. More information on this special event can be found HERE.

Academy Award Nominee ELIZABETH McGOVERN (Downton Abbey) will be on stage to introduce this very special preview screening! Hosted by Angela Bishop.

The life of a Kansas woman (Elizabeth McGovern, Downton Abbey) is forever changed when she chaperones a beautiful and talented 15-year-old dancer named Louise Brooks to New York for the summer. One of them is eager to fulfil her destiny of dance and movie stardom; the other hopes to unearth the mysteries of her past.

Here is a slightly different, more briskly edited Australian trailer for the film. The Chaperone opens in Australian theaters on May 2.

TODAY: Pandora's Box, starring Louise Brooks, screens again in Istanbul, Turkey

The Kundura Cinema in Istanbul, Turkey will screen the internationally acclaimed Louise Brooks' film, Pandora's Box (1929). The film, titled locally as Pandora’nın Kutusu’nun, will be shown today, April 7th with live musical accompaniment by Yiğit Özatalay and Mustafa Kemal Emirel (Yürüyen Merdiven). This presentation is open to those 18 years and older. More information as well as ticket availability can be found HERE.

Pandora's Box was shown at this same location on March 10th and the 24th with great success. Here is the Turkish description of the event.

Almanya / 1929 135’ / Siyah & Beyaz
Sessiz*

*Yiğit Özatalay ve Mustafa Kemal Emirel’den oluşan Yürüyen Merdiven’in canlı müziği eşliğinde.

Yönetmen | Georg Wilhelm Pabst
Senaryo    | Frank Wedekind, Ladislaus Vajda
Oyuncular | Louise Brooks, Fritz Kortner, Francis Lederer

Çekiciliği ile çevresindeki herkesi baştan çıkarıp onları büyük bir trajedinin içine sokan bir dansçının çevresinde gelişen olayları ele almaktadır. Film sinema tarihinde "femme fatale" örneklerinden biri olmuştur.

Back in March, the venue put a bit of a new twist on the film by describing it this way: "A free-loving, status-climbing dancer murders her rich paramour, then takes up with a succession of other lovers, gradually descending to the streets as a hooker. Pandora's Box is an acknowledged masterpiece and example of a 'femme fatale'."

The Kundura Cinema, housed in a former shoe and leather factory, began showing classic films late last year. The cinema is housed in the Beykoz Kundura building in an old industrial part of town that is fast becoming an artistic and cultural hub. (A film studio was also opened in the complex.) Kundura Cinema has transformed the building's boiler room, in the heart of the old factory, into a movie hall (seen below). Dating back to the 1800s, the Beykoz Kundura building was in use until the foundation of the Turkish Republic.

TODAY: Pandora's Box with Louise Brooks screens in Berlin Babylon location

The Metropolis Orchester Berlin in Berlin, Germany will screen the sensational 1929 Louise Brooks' film Pandora's Box at the Theater im Delphi (Gustav-Adolf-Str. 2) on April 6, 2019. This special cinema concert screening will feature live musical accompaniment as well as an introduction by actress Fritzi Haberlandt, who will talk about her relationship with the role of Lulu. Here is your opportunity to see a classic silent film in the city where it was made, as well as one of the shooting locations for the popular television series Berlin Babylon. More information as well as ticket availability about this event can be found HERE.

A few days ago,  Der Tagesspiegel ran a piece on this special event. That piece can be found HERE. [Unfortunately, their lead image is from another Louise Brooks film, Diary of a Lost Girl. This German publication is not alone in running the wrong film stills, as it is a mistake other publications and venues have repeated.]

According to the event promoters, "BABYLON BERLIN actress Fritzi Haberlandt and the Metropolis Orchestra Berlin present the cinematic masterpiece by GEORG WILHELM PABST. Immerse yourself in a typical Berlin cinema evening in the year 1929!

1929 - a legendary year: The Golden Twenties come to an end and at the same time reach their peak before the world economic crisis comes abruptly. In this last great year of German silent film, known as "The Year Babylon", the former silent movie theater Delphi is opened at the Caligariplatz. In 1929, Louise Brooks becomes the first American actress to star in a German film production: THE BOX OF PANDORA by GW Pabst. Brooks embodies the role of Lulu completely and becomes an icon.

Under the direction of Burkhard Götze, the METROPOLIS ORCHESTRA BERLIN presents the masterpiece in authentic style of a cinema concert of the time, with the great score of Peer Raaben. Original flair is provided by BOHÈME SAUVAGE. The audience is invited to dress and decorate in the style of the time. In addition, you can take time travel to the locations of BABYLON BERLIN before the cinema concert."

Partner: Bohème Sauvage, Zeitreisen, European Film Philharmonic , German Cinematheque

Want to learn more about Louise Brooks and her role as Lulu in Pandora's Box? Visit the Louise Brooks Society website as well as its Pandora's Box filmography page.

The Chaperone opens in Los Angeles and elsewhere on April 5th

The Louise Brooks inspired film The Chaperone opens in Los Angeles and elsewhere starting tomorrow. The film debuted in New York City on March 29th, and today opens in theaters in Los Angeles, Pasadena, Encino, and Irvine, California. For more information and ticket availability, including which other cities in California, New York and New Jersey where the film will be shown, visit thechaperonefilm.com and click on the "Theaters" tab. Unfortunately, this film is in limited release. So, if you want to see it on the big screen, visit the link above.

LA moviegoers can catch an exclusive Q&A with The Chaperone star Elizabeth McGovern on April 5th. Tickets and further information are available HERE.

A number of early reviews of The Chaperone have appeared in East Coast publications, like the New York Times. The film's best review so far comes from Rex Reed, who called The Chaperone "A film of uncommon rapture, albeit one with little of the noisy, fast-moving action contemporary audiences have come to expect." That is true, and to the point. Reed's Observer piece was headlined "The Chaperone Is a Sublime Account of Flapper Icon Louise Brooks’ Early Life."

In September of last year, The Chaperone played at the Los Angeles Film Festival; the film's producer and star, Elizabeth McGovern, was asked about the film. In the video below, she talks about what drew her to this project, and of course, mentions Louise Brooks along the way.

The Chaperone is the first theatrical release from PBS Masterpiece. They have updated their webpage, and had this to say: "Louise Brooks, the 1920s silver screen sensation who never met a rule she didn’t break, epitomized the restless, reckless spirit of the Jazz Age. But, just a few years earlier, she was a 15 year-old student in Wichita, Kansas for whom fame and fortune were only dreams. When the opportunity arises for her to go to New York to study with a leading dance troupe, her mother (Victoria Hill) insists there be a chaperone. Norma Carlisle (Elizabeth McGovern, Downton Abbey), a local society matron who never broke a rule in her life, impulsively volunteers to accompany Louise (Haley Lu Richardson) to New York for the summer.

Why does this utterly conventional woman do this? What happens to her when she lands in Manhattan with an unusually rebellious teenager as her ward?  And, which of the two women is stronger, the uptight wife-and-mother or the irrepressible free spirit?  It’s a story full of surprises—about who these women really are, and who they eventually become.

Based on Laura Moriarty’s beloved New York Times best-selling novel, MASTERPIECE FILMS’ first theatrical release The Chaperone reunites the writer (Academy Award®-winner Julian Fellowes), director (Michael Engler) and star (Academy Award® nominee Elizabeth McGovern) of Downton Abbey for an immersive and richly emotional period piece. The film also stars Campbell Scott, Géza Röhrig, Miranda Otto, Robert Fairchild, and Blythe Danner."

Courtesy of PBS Distribution

I've seen The Chaperone, and I like it. In fact, I've seen it three times and could imagine watching it again in the future when I want a dose of Haley Lu Richardson's perfect charm. Richardson is the young actress who plays a young Louise Brooks, and in a way, she steals the show. I think fans of Louise Brooks will also like this film. Except for a few historical gaffs (all of which are subtle, and only one of which is a bit egregious), it is faithful to what we know about Brooks and her times. And therefore, recommended!

Courtesy of PBS Distribution

Diary of a Lost Girl starring Louise Brooks to screen at NY MoMA

The Museum of Modern Art in New York City will screen the 1929 Louise Brooks film Diary of a Lost Girl on Tuesday, April 9th at 7:00 p.m. The screening is part of a new film series and accompanying poster exhibition called "What Price Hollywood" which looks at the nature of sexual politics on the screen. More information about this screening can be found HERE.

The MoMA website describes the "What Price Hollywood" series this way: "During the studio system’s 'golden age,' subtle, empowered star turns by Barbara Stanwyck, Louise Brooks, Bette Davis, Gloria Grahame, and others simultaneously upheld gender norms and hinted at alternative models of sexual identity. Yet later players, like Peggy Cummins in Gun Crazy, Marlene Clark and Duane Jones in Ganja & Hess, or Divine in Female Trouble, were given license to subvert gender limitations altogether."

While Diary of a Lost Girl speaks to the "nature of sexual politics on the screen," it is an odd fit, as it was neither a Hollywood film nor a film of the American "studio system’s 'golden age'," which most of the other films in the series are.... (It is also the only silent film included in the series.) Among the other films being shown in this worthwhile series are The Good Fairy (1935), directed by William Wyler, A Free Soul (1931), directed by Clarence Brown, The Scarlet Empress (1934), directed by Josef von Sternberg, and of course What Price Hollywood (1932), directed by George Cukor.

Of course, it is always good to see a Louise Brooks film on the big screen, even if it is shoe-horned into a film series it doesn't quite fit into. Nevertheless, I will give the MoMA writers credit for describing the film as few do, notably in its use of the word "rape"

Diary of a Lost Girl. 1929. Germany. Directed by G. W. Pabst. 35mm. Silent. 125 min.

"After a teenager (Louise Brooks) is raped and impregnated by her father’s colleague, she refuses to marry her attacker and is sent by her father to a hellish reformatory. Following 1928’s Beggars of Life, Diary of a Lost Girl marks a particularly powerful and socially minded period of Brooks’s brief but electric career."

I don't know if the exhibition part of "What Price Hollywood" contains any posters related to Louise Brooks. For those interested in learning more, check out the Louise Brooks Society website and its Diary of a Lost Girl filmography page. Also, the film is available on DVD / Blu-ray (with an audio commentary by your's truly, Thomas Gladysz). Also, back in 2010, I edited and wrote the introduction to the "Louise Brooks edition" of The Diary of a Lost Girl, the sensational / controversial book on which the film was based. Both can be found on amazon.