Thursday, December 9, 2004

Weekly research report (warning: dull redux)


Received a call from Ron at the SFPL, who telephoned to tell me there were problems with some of my just-arrived inter-library loan requests. Four ILL requests arrived today, but three of them were either missing reels or contained the wrong reels. These sorts of mix-ups are not uncommon. And in the case of the requests which were missing reals, the lending institutions offered no explanation.
Sometimes, I request too many reels of microfilm. Every lending library or historical society has a different ILL policy. Some will only lend two reels at a time. Others will lend as many as six or nine reels. I try to keep track of where things come from, who are the likely lenders, and what their policies are so as to make my search as efficient as possible. (I have quite an extensive log detailing my hundreds of requests.) Sometimes, things go wrong. In these instances, I will have to request the missing microfilm at a later date.
Despite these hurdles, I did find a couple of brief reviews and advertisement for The American Venus (1926) in the Cleveland Press and Trenton Times (from Trenton, New Jersey). I also came across this curious February, 1927 advertisement for A Social Celebrity (1926) in the Green Bay Press Gazette. Notice that this second run screening of the Adolph Menjou-Louise Brooks film is part of a bill that includes vaudeville acts as well as Marjah & Co., "The Mental Marvels of India Exponents Yogi Philosophy and Occult Sciences.
                    
The Green Bay Press Gazette turned-out to be a gold mine of all kinds of clipping - including more than two dozen articles, captioned photographs, advertisements and reviews of the two performances Denishawn gave in that Wisconsin city during the two years Brooks was a member of that pioneering dance company. In the week leading up to a performance, this newspaper ran one or two (and sometimes three) items about Denishawn per day. That is remarkable coverage. I even came across this rather sexy front page photograph of Ruth St. Denis, which is titled "Will Do Her Famous Dances For Green Bay Folk Tonight."
In addition to the Green Bay material, I also found a score of Denishawn articles and reviews in the Trenton Times and Cleveland Press, as well as the Waterbury Republican (from Waterbury, Connecticut). It was a good day for Denishawn research!

Wednesday, December 8, 2004

Weekly research report (warning: dull)


Went to the library today to do research. No interlibrary loan material had arrived, so I ventured home to write this post about nothing. . . .
Earlier this week, I had received word that four of my ILL requests were rejected. I had been hoping to borrow copies of the Jacksonian (Jackson, Tennessee),Morgantown Post (Morgantown, West Virginia), Orlando Morning Sentinal (Orlando, Florida), and Ponca City News (Ponca, Oklahoma), but the institutions which have these newspapers on microfilm apparently won't loan the material. Oh well. I was hoping to gather articles or reviews on the Denishawn performances in those four cities. If anyone reads this and lives near one of those four cities and would be willing to do an afternoon's research tracking down those reviews, please email me at thomasg AT pandorasbox DOT com  Thanx as always!

Tuesday, December 7, 2004

Wicked Joys in Weimar Berlin


Interesting article in today's Guardian about life in Berlin during the Weimar period. The article can be found at http://www.guardian.co.uk/arts/features/story/0,11710,1360663,00.html
This passage struck me as especially noteworthy."Among much else that marks Weimar Berlin out as a quintessentially modern metropolis was its cultural bustle and its critical media. During the 1920s the city's publishing industry burgeoned and, books apart, produced some 150 daily and weekly papers - right and leftwing, highbrow and popular." That could mean there is a lot more coverage of Louise Brooks and the making of Pandora's Box and Diary of a Lost Girl then I might have suspected. Oh, what wicked joys await me.

Monday, December 6, 2004

Overland Stage Raiders


Louise Brooks' last film, Overland Stage Raiders (1938), will be broadcast in the United States on the STARZ Westerns cable station on December 8th at 1:15 pm, and again on December 21st at 4:30 pm and December 28th at 4:00 am. It will also be shown on the MOVIEplex cable station on December 8th at 2:15 pm. Consult your local listing for further deatils.
Overland Stage Raiders (1938) is not a great film, but is worth seeing because Louise Brooks is featured in it. Though she then sported a brushed-back 1930's hairstyle (and not her trademark bob), she still looked quite lovely at age 31. The film is approximately 55 minutes long, and is considered part of the "Three Mesquiteers" series. Brooks co-stars along with John Wayne, Ray Corrigan and Max Terhune.
Interestingly, because it starred John Wayne (before he made it big in the movies), this otherwise b-grade picture has occassionally been shown theatrically in the United States in the decades since its release. These screenings tool place in the 1940's and 1950's. The film was also shown on television in the 1970's. I wonder how many viewers then recognized the once and future Lulu?

Sunday, December 5, 2004

New web page

MovieMaidens.com is a somewhat curious website "dedicated to the most beautiful classic actresses during the first 50 years of Hollywood...remembering them when they were young and attractive." The site goes on to state, "These actresses burst onto the Hollywood scene as beautiful young women, and they should be remembered as the gorgeous girls that they were. . . . We are so sick of seeing history's most beautiful actresses portrayed as old women." The site has pages (largely composed of a picture gallery, biographical text and links) devoted to Vilma Banky, Clara Bow, Joan Blondell, Anita Page, Kay Francis, Mae West and others. The site also has a page dedicated to Louise Brooks, who was "young and sexy between the ages of 18-35."

Saturday, December 4, 2004

New web address

One of the best Louise Brooks websites comes out of Italy. It is chock full of interesting material in both Italian and English. That site recently obtained a new web address, and is now located at http://xoomer.virgilio.it/louisebrooks/. Check it out!

Friday, December 3, 2004

German silent films with a gay theme on sale at Kino

"Kino proudly presents a truly eye-opening collection of gay-themed German silent films, available for the first time on DVD.  Richard Oswald's Different from the Others (1919), Carl Theodor Dreyer's Michael (1924), and William Dieterle's Sex in Chains (1928) are all landmarks in the cinematic depiction of homosexuality.  And -- no surprise -- all three pictures were variously banned, censored, or purposely removed from the public eye.  But now they're out of the closet and on DVD in restored versions." Also included in this special offering is G.W. Pabst's Diary of a Lost Girl (1929), which is available available on DVD and VHS.

These "Gay-themed Silents" are available at a hefty discount from Kino. For further info and to order, see http://www.kino.com/video/results.php?featured_id=33

Thursday, December 2, 2004

Portland Film Censors Busy


Yesterday at the library, I found this interesting wire-service article, which is subtitled "Fans Driven to Suburban Houses by Official Cutters." It is interesting in that it details censorship practices of the time, practices which were certainly applied to the films of Louise Brooks when they were shown in Portland, Oregon. The article dates from December, 1927.
Portland Film Censors Busy
Spicy bits on the legitimate stage are quite all right, but the same scene in the movies in Portland constitutes a grave error and calls for drastic scissor action. Portlanders must not look upon movie kisses which are too long. Similar restriction, however, is not placed on movie fans of villages of the "back country."
Such is the status of censorship in Oregon.
There is no state censorship law, so the villagers escape the penalty of seeing only that which censors rule is nice. Portland, the one large city in the state, has a censor board which leaves no doubt as to its willingness to function.
But, strangely enough, the powers of the Portland Board of Motion Picture Censors appears to be limited to the silver screen. Ten nude girls may not appear in films exhibited here. But 10 nude girls could appear on the stage and never a word would the board say, although the police might say and do considerable. Not that 10 undressed bits of femininity have ever appeared on a local stage, but 40 one-quarter clad girls have, and any mathematician knows that they are equivalent to10 entirely disrobed flappers.
Portland is only one of several large cities having a picture censor board, but perhaps no similar group has commanded the same degree of publicity.
For example, there is the time the board ruled that a drawing of a nude girl on a theater program was improper and ordered the management to cover her rawness before circulating the programs.
Vainly theater men protested that she was a reproduction of Spanish art, but they were told no bull fighters were in Portland. And so the entrancing curves of Spain's best was wasted behind the blankness of thick bond paper which was pasted over all but the figure's head.
The censor board is composed of three members, one of whom represents the movies. The other two do not. They are appointed by the mayor and are assisted by a staff of 70, mostly women, viewers. These viewers are given monthly assignments and scan every picture before it is exhibited. Presumably they say: "Cut that kiss by eight feet," or "undressed chickens are limited to fowls."
And that is the reason why, as frequently happens, a rabid fan will journey to Gresham or other nearby village when the film makes what apparently is a broad jump.
But the cutting board and its viewers go on cutting and in most instances a cut stays out. The city council, however, is the board of appeal, and upholding the censors is infrequent. As a rule, however, the cutting goes on without interference, for it is easier for an exchange man to cut out footage than to wade through an official council hearing.
I did a quick Google search on the Portland Board of Motion Picture Censors and found this link, their annual report from 1921.

Wednesday, December 1, 2004

This week at the SFPL


Three interlibrary loans arrived this week. And so I spent an enjoyable morning - some two hours of time and some seven dollars for photocopies - going through microfilm at the SFPL. . . . I looked through a few months worth of the Toronto Globe & Mail, where I found film reviews of The American Venus (1926) and A Social Celebrity (1926). I also looked through the Springfield Republican, a Masschusetts newspaper, where I gathered a slew of material on the Denishawn performance there in 1924. (One of the articles mentioned Louise Brooks.) I also got an advertisement and review of The City Gone Wild (1927). And then from the now defunctPittsburgh Press I found material on The Street of Forgotten Men (1925), Now We're in the Air (1927), The Canary Murder Case (1929), and It Pays to Advertise(1931). All together, it was a good haul.
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