Showing posts with label Sacramento. Show all posts
Showing posts with label Sacramento. Show all posts

Tuesday, October 22, 2019

Some snapshots from Saturday's Louise Brooks TCM talk (part two)

I want to post a couple more pictures and a few more thoughts from Saturday's talk about Louise Brooks, which I gave over lunch to the Sacramento TCM Club. The event was organized by Sacramento TCM chapter head Beth Gallagher, a longtime friend. In Facebook posts prior to the event, Beth aptly described Brooks as "mesmerizing and modern onscreen" and a "fabulous and frustrating cinema icon." That's Beth, the redhead, pictured below.
 

As I mentioned in my previous post, I gave some prepared remarks before beginning a free form talk on Brooks, which also involved questions from those in attendance. What follows are my prepared remarks, with which I hoped to set the stage regarding Brooks and her career.

In her day, Louise Brooks was never considered a major star. And her career, relatively speaking, was brief. The actress appeared in only 24 films between 1925 and 1938 — a period spanning 13 years, four of which she was absent from the screen. By comparison, her celebrated contemporary Clara Bow (the “It” girl) appeared in 57 films over 11 years, while another contemporary, silent era star Colleen Moore, appeared in 48 films over 18 years. Of Brooks’ 24 films, she received top billing in only three productions. Notably, these were the three films she made in Europe. In the United States, Brooks was usually given second or third billing. In only one of them, Rolled Stockings - a film shot in Berkeley, was she considered the lead.

Brooks worked with film legends W.C. Fields, Roscoe “Fatty” Arbuckle, Howard Hawks, William Wellman, Michael Curtiz, and John Wayne. And while still young — then just 32 years old, she gave it all up and turned her back on Hollywood. Once the toast of two continents, Brooks went from the heights of world wide celebrity to a down-and-out existence, barely getting by and all but forgotten by her peers.

As film historians have pointed out, few actors have attained such a large reputation through so few films. Today, Brooks’ remarkable popularity rests on her iconic look — while her cinematic renown comes largely from her role as Lulu in the once derided, now acclaimed German silent, Pandora’s Box. That film, often ranked among the greatest of its time, was largely forgotten until its rediscovery in the 1950s. Since then, and especially in the last few decades, Brooks’ other surviving films have been reevaluated, and her reputation as an actress has grown significantly.

Though she left her mark on her time and accomplished a great deal, Brooks always thought of herself as a failure. Late in life she wrote “I have been taking stock of my 50 years since I left Wichita in 1922 at the age of 15 to become a dancer with Ruth St. Denis and Ted Shawn. How I have existed fills me with horror. For I have failed in everything — spelling, arithmetic, riding, swimming, tennis, golf, dancing, singing, acting, wife, mistress, whore, friend. Even cooking. And I do not excuse myself with the usual escape of ‘not trying.’ I tried with all my heart”.

F. Scott Fitzgerald, with whom she was acquainted, wrote “there are no second acts in American lives.” Brooks proves the exception.


Quite nearly everyone at the table sighed after I read the Brooks paragraph about taking stock of her life. I believe Brooks has found a few more fans.

Monday, October 21, 2019

Some snapshots from Saturday's Louise Brooks TCM talk

I had a great time Saturday talking about Louise Brooks to the Sacramento TCM Club. The event was organized by Sacramento TCM chapter head Beth Gallagher, a longtime friend and longtime admirer of Brooks. (Beth and I first became acquainted in the late 1990s, when Beth, then living in  Massachusetts, organized a chat board on the old Tribe.net web forum.) My informal talk, held over lunch, took place at La Trattoria Bohemia, a restaurant serving traditional Italian and Czech fare in mid-town Sacramento. Check it out sometime!
 

Uncertain as to what everyone knew or didn't know about Louise Brooks, I gave a general introduction, and then spoke about my history with the actress - how I first came across Pandora's Box and first read the Barry Paris biography, how I started the Louise Brooks Society, what I have found out through endlessly researching the actress, the films I have seen, the DVD audio commentaries I have done for KINO Lorber, the four books I have published on the actress, the forthcoming PBS debut of The Chaperone, my recent talk about Brooks and Rudolph Valentino at the annual Valentino Memorial in Hollywood, and a few threads which connect Brooks with Turner Classic Movies (TCM), namely through the Mankiewicz family, as Herman was Brooks's friend from her Follies' days and Ben, Herman's grandson, is one the station's current on-air hosts, plus the fact that the appellation "Louise Brooks Society" came from something Herman Mankiewicz once said. As you can tell from the prior sentence, my talked was something rambling - but seemed to be appreciated by all. Three of those in attendance purchased copies of my books, and each asked me to sign them. And in a first, another asked me to autographed her copy of the University of Minnesota edition of Brooks' Lulu in Hollywood, which I helped bring back into print and in which my name appears as an acknowledgement. I bit embarrassed, I signed near my name.
 


This being a special occasion, I even wore my Eugene Richee pearls portrait Louise Brooks t-shirt. My thanks to Beth Gallagher for organizing the event, and to the dozen film buffs who showed up and listened and even took notes! Thanks also to Antoinette C. for the letting me post her pictures of the event. Beth recorded the event and may turn it into a podcast.


Wednesday, December 30, 2009

Did small pox kill The Canary Murder Case?

I come across a lot of unusual things while researching Louise Brooks and her films. Here is one more example.

In the same June, 1929 issue of the North Sacramento Journal  that carried an advertisement for a local showing of The Canary Murder Case at the Del Paso theater, the newspaper also ran an informational advertisement concerning a supposed small pox infestation at the same theater. Here is that advertisement.


According to Wikipedia, "Transmission of smallpox occurs through inhalation of airborne variola virus, usually droplets expressed from the oral, nasal, or pharyngeal mucosa of an infected person. It is transmitted from one person to another primarily through prolonged face-to-face contact with an infected person, usually within a distance of 6 feet, but can also be spread through direct contact with infected bodily fluids or contaminated objects (fomites) such as bedding or clothing. Rarely, smallpox has been spread by virus carried in the air in enclosed settings such as buildings, buses, and trains."

And apparently, it was believed by some back in 1929 that one could become infected by sitting in a theater seat.

I didn't notice any later articles mentioning that people stayed away from the Del Paso and its June 7-8 screening of The Canary Murder Case, which starred William Powell and Louise Brooks. But, if the Del Paso was concerned enough to place a newspaper advertisement, I could imagine many individuals did not go the movies at a certain theater in north Sacramento in 1929. [The Del Paso theater, located at 2120 Del Paso Blvd, closed at some later date. Curiously, there is no Cinema Treasures webpage devote to it.]

Saturday, April 12, 2003

Sacramento trip

At the California State Library in Sacremento, I looked through the Pasadena Star-News, La Opinion and some Los Angeles newspapers for the period of the mid-to-late 1920's. I found a bunch of film reviews, advertisements and articles in the Pasadena newspaper, but little in La Opinion. (This Spanish-language paper, based in Los Angeles, ran frequent articles on Hispanic film stars such as Dolores del Rio, Raquel Torres, Ramon Navarro, etc . . . , but nothing that I could find on Louise Brooks.) I also took the time to search through four Los Angeles newspapers for material on Just Another Blonde, Evening Clothes and The City Gone Wild. My efforts in this regard were successful, and I found reviews, articles, ads and more. Citations for all of the material that I have found have been aded to the bibliographies.
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