Showing posts with label Lulu in Hollywood. Show all posts
Showing posts with label Lulu in Hollywood. Show all posts

Friday, March 15, 2024

Louise Brooks and Los Angeles: Getting the facts straight

I want to address, yet again, a factual error that's making the rounds....

The other day, I was listening to a podcast. On March 11, the podcasters known as 5282 dropped their "Louise Brooks Special" episode. This podcast, which focuses on popular and fringe culture, originates in the UK. The Brooks' episode is a talk through her career with the three 5282 hosts, highlighting films such as Beggars of Life and Pandora's Box. At the end of the podcast, one of the hosts gave a shout-out to the Louise Brooks Society as a source for information.

However, in the course of the 5282 podcast, one of the three hosts repeated something about Louise Brooks and Los Angeles that they didn't get from the Louise Brooks Society website. That something is this ... that Brooks left home at age 15 to join the Denishawn Dance Company in Los Angeles. WRONG. WRONG. WRONG.

If I were a betting man, I would guess that the 5282 podcaster who repeated this "fact" likely got it from Wikipedia. The Wiki page on the actress states, "Brooks began her entertainment career as a dancer, joining the Denishawn School of Dancing and Related Arts modern dance company in Los Angeles at the age of 15 in 1922." In support, this sentence is twice footnoted, once to a 1926 Picture-Play article, "Just a Prairie Flower," and once to Brooks' own 1982 book, Lulu in Hollywood. In the first cited source, Brooks' joining Denishawn is not explicitly mentioned (it is only stated that Brooks danced with Ruth St. Denis), and in the second cited source, Brooks herself says she went to join Denishawn in New York City.


And anyways, anyone who has read or seen The Chaperone, the PBS film which depicts Brooks leaving home to join Denishawn -- will know that Brooks did so in New York City -- not Los Angeles. (I know The Chaperone is fiction, but it is based on fact.) Besides Brooks' own account, as found in Lulu in Hollywood, the facts around Brooks first venture to LA can be found in the definitive biography of the actress by Barry Paris. In it, Paris notes that Brooks went to Los Angeles for the very first time in 1927, when her studio, Paramount, had her move from their East Coast production facility to their West Coast studio in Hollywood. 

Part of the confusion regarding Brooks, Denishawn and Los Angeles likely stems from the fact that the dance company had two "headquarters," one in NYC and one in LA. (They also had a summer retreat in Mariarden in Peterborough, New Hampshire.) But still, that doesn't change the fact that Brooks joined Denishawn in New York. Let me also add that I have done considerable research on Brooks' two seasons with the dance company. I have tracked the Denishawn tours city by city, and can state that the furthest west the company ever got while Brooks was a member of Denishawn was Colorado.

I mention all this because not only did an incorrect, but not insignificant, fact make its way from Wikipedia to an UK podcast, but it can also be found on a key, authoritative site like Janus Films, the company behind the theatrical release of the latest restoration of Pandora's Box. Back on January 27 of this year, I posted a blog about the Pandora's Box restoration, and pointed to the handful of factual errors and sloppy writing found on the Janus press release. At the time I stated, "The Louise Brooks Biography included in the Press Notes, for example, is riddled with factual errors. I count five or six. Here is one: Louise Brooks did NOT join the Denishawn Dance Company in Los Angeles, as the biography states. She went to New York City, as stated in the Barry Paris biography and as depicted in The Chaperone. Likewise, the Production History essay makes a few questionable (read inaccurate) conclusions...." I sent an email to Janus, but never heard back.

Let me end with an image. It is scanned from the Barry Paris biography and depicts Brooks' arrival in Los Angeles for the first time in 1927. The caption reads "Louise Brooks greeted by Eddie Sutherland's friend Monte Brice upon her arrival in Hollywood, January 6, 1927."

The note on the reverse of the original of this Paramount publicity image, in Brooks' own hand, states, "First arrival in Hollywood, Jan 1927."

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2024. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Thursday, October 12, 2023

The 100 Greatest Film Books of All-Time

The Hollywood Reporter has released a list of the 100 greatest film books of all time, as determined by a jury of 300 "Hollywood heavyweights." The list is made of of books largely about the contemporary film industry (aka Hollywood), thought there are a handful focusing on film history and individuals from the past -- including Louise Brooks. As a matter of fact, Louise Brooks' own Lulu in Hollywood came in at number 44 on the list. Aside from Brooks, the only other silent film star is Charlie Chaplin, whose Autobiography tied for 61st. (Notably, as well, Brooks is the only silent film star pictured in the article's banner image, seen below. In addition, Brooks is depicted on the cover of another book on the list, Vito Russo's The Celluloid Closet, which tied at number 22.) The list of books can be found HERE. I encourage everyone to check it out.

Illustration by The Sporting Press, via The Hollywood Reporter

Of Lulu in Hollywood, the Hollywood Reporter stated, "Like a comet, this American actress with a trademark black bob burned brightly (she was one of the biggest stars of the 1920s, especially in the German films Pandora’s Box and Diary of a Lost Girl) and then was gone — until she resurfaced late in life as a writer. This collection of essays captured the frustrations of being a liberated woman in early Hollywood." Brooks' 1982 book received a respectable 34 votes.

Each of the books featured on the list also contained a suggestion for related reading: the title paired with Lulu in Hollywood is The Kindness of Strangers, by Salka Viertel. I don't know how or why this otherwise excellent memoir was chosen, but certainly a much better choice, and a far more influential & germane book would have been Louise Brooks, by Barry Paris. The latter was / is a key work in keeping a spotlight on the actress. And, in my humble opinion, it too should have been included on the list. It is a truly great biography.

I would also like to make another point: while it is true that this "collection of essays captured the frustrations of being a liberated woman in early Hollywood," Louise Brooks was NOT "one of the biggest stars of the 1920s". She was only a second tier star, an up-and-coming actress whose career / moment in the spotlight lasted only a few years. Her standing in Europe, after having appeared in the German films Pandora’s Box and Diary of a Lost Girl, was certainly greater than in America, but that standing only lasted a couple of years, from 1929 to 1930.

via The Hollywood Reporter

Brooks' standing in film history rests on her rediscovery. That is her story. And notably, one of the books which aided that rediscovery, Kevin Brownlow's The Parade's Gone By ..., is ranked at number 12 on the Hollywood Reporter list. What's more, Brooks received a special acknowledgment in Brownlow's classic work, which reads, "I owe an especial debt to Louise Brooks for acting as a prime mover in this book's publication."

I would like to toot my own horn here a bit.... Lulu in Hollywood was published in hardback in 1982. It was reviewed widely and sold well, and was reprinted in paperback. It remained in print for a number of years before eventually going out-of-print. This is the life-story of many books. They come and they go. The same with the Barry Paris' biography of the actress, which is truly superb. If you consider yourself a fan of the actress and haven't read both books, then you are missing out.

 


Believe it or not, but there was a time in the late 1990s when both Lulu in Hollywood and the Barry Paris biography were out-of-print. Both books could be hard to find, especially for some fans, and nice, 1st edition copies of both books started to command high prices. As the head of the Louise Brooks Society, I led a grass roots campaign to bring both books back into print. And succeeded.

Due to my efforts, both Lulu in Hollywood and the Barry Paris biography were reprinted by the University of Minnesota Press in smart looking new editions in the year 2000, and each have remained in print ever since. I am proud of this bit of cultural activism, and I even received an acknowledgement in both books.


If you haven't yet read Lulu in Hollywood or the Barry Paris biography, or for that matter Kevin Brownlow's The Parade's Gone By...., then do so today. Each book is available for purchase online or may be borrowed through your local library. The Hollywood Reporter list is chock-full of good reading and recommendations. Check it out HERE

And, if you are looking for another good book to read, might I also recommend my just published book, The Street of Forgotten Men: From Story to Screen and Beyond. It is a deep dive into the history of Brooks' first film, and what's more, it features a foreword by Kevin Brownlow, who in 2010 the Hollywood Reporter notes "became the first film preservationist ever awarded an honorary Oscar." Who knows, maybe someday, my new book will make a list of worthwhile books.


THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Tuesday, January 27, 2015

New Spanish language version of Lulu in Hollywood by Louise Brooks



Last year saw the release of a new Spanish language version of Lulu in Hollywood by Louise Brooks. The book, titled lulú en hollywood, was published in Spain by torres de papel. Like its English language editions, there are seven chapters, an introduction by William Shawn, and an epilogue by Lotte Eisner. The selection of images differs. Shown here are the front and back covers.

Sunday, March 30, 2014

A new project

I've started a new project today. I am creating an index to Lulu in Hollywood. Surprisingly, no edition of the book that I have has an index - and I feel the book cries out for one. I am indexing all of the proper names and place names. My index, when finished, can be used with the original hardback edition from Knopf as well as the more recent University of Minnesota reprint from 2000. The pagination for each of these books is the same. The index will also be useful with two British editions (which I own), the softcover published by Hamish Hamilton in 1982 and a later paperback reprint from Arena published in 1987. Indexing is very tedious work. Nevertheless, I plan to see it through to the end by doing a couple of pages a day. I hope to be done in a couple of months time.

Sunday, May 19, 2013

Lulu in Hollywood available through Open Library

Lulu in Hollywood is now available as an e-text through Open Library, an online lending library with zillions of books which can be checked out or read online. Lulu in Hollywood is Louise Brooks bestselling  collection of autobiographical essays. It was first published by Knopf in 1982.


The eBook pdf of the text may be found at http://openlibrary.org/works/OL4772459W/Lulu_in_Hollywood This version includes William Shawn's original introduction, which was replaced by Kenneth Tynan's famous New Yorker essay, "The Girl in the Black Helmet," in the most recent reprint from the University of Minnesota. (Shawn was the editor at the New Yorker when some of the pieces included in Lulu in Hollywood were first published.)

Also available at Open Library is Three Films of W.C. Fields (Faber & Faber, 1990), which includes an introduction by Brooks, "The Other Face of W. C. Fields." (That essay is included in Lulu in Hollywood.) The eBook pdf of the text may be found at http://openlibrary.org/works/OL4772458W/Three_Films_of_W.C._Fields

There are many other swell books on early film available through Open Library. be sure and check it out.

Saturday, February 21, 2009

Molly Haskell on Lulu in Hollywood

The well known film writer Molly Haskell surveyed five autobiographies by actresses in yesterday's Wall Street Journal. One of them was Louise Brooks' Lulu in Hollywood. Here's what Haskell had to say.

After laboring for much of the 1920s in Hollywood, the black-helmeted Kansas-born free spirit Louise Brooks had to go to Europe to become a star. She was a revelation in two mesmerizing German silent films directed by G.W. Pabst, "Pandora's Box" (1928) and "Diary of a Lost Girl" (1929) -- but then Brooks, independent-minded to a fault, refused to compromise once Hollywood came calling, and she basically threw her career away. By the late 1940s, she was working as a saleslady at Saks Fifth Avenue in New York. She was rescued by admirers, chief among them James Card, curator of the George Eastman House film archive in Rochester, N.Y. He persuaded Brooks to move to Rochester, where she lived in the 1950s as a recluse, watched films, her own and others, and was reborn as a writer. (She was also rediscovered as an actress by Kenneth Tynan, who championed her work in an influential piece for The New Yorker.) "Lulu in Hollywood" -- Lulu was the ill-fated innocent who drove men to distraction in "Pandora's Box" -- is a collection of Brooks's often brilliant essays. Some of the pieces recount her own joyous romp through the 1920s as a Ziegfeld showgirl (a job she enjoyed more than making movies) and party-girl courtesan. Other essays shimmer with insight as she discusses the work of Humphrey Bogart, W.C. Fields, Greta Garbo, Lillian Gish and others. She paints a vivid picture of Bogie, for instance, still showing vestiges of the stiff stage actor in "The Roaring Twenties" in 1939, when he appears helpless opposite James Cagney, whose "swift dialogue" and "swift movements . . . had the glitter and precision of a meat slicer . . . impossible to anticipate or counterattack."

Haskell is well known as the author of the seminal 1974 book, From Reverence to Rape. She can also be seen discussing films with Robert Osborne on TCM, and has a just released a new book through Yale University Press, Frankly, My Dear: "Gone with the Wind" Revisited (part of their Icons of America series). Haskell has written about Brooks on at least a couple of occasions in the past. Once in the aforementioned From Reverence to Rape - discussing the treatment of women in the movies - and in a 1974 article in Film Comment, where she discussed the 1928 Howard Hawks film, A Girl in Every Port.

Tuesday, February 17, 2009

Lulu in Hollywood - the Russian Edition

Today, I was thrilled to receive the Russian-language edition of Louise Brooks' Lulu in Hollywood. I knew I was getting something special when I removed the package from my mailbox. The book was wrapped unsealed in plain brown butcher's paper and tied with string! Just like a present. It was addressed to me both in English and in Russian, and in forward leaning cursive lettering which reminded me of my Polish grandmother's handwriting.

The book was sent to me compliments of the publisher. This new edition was published late last year by Rosebud Publishing, a new enterprise located in Moscow. Scanned below are the front and back covers.

          
 
I was also thrilled to see the Louise Brooks Society and my name (in Russian) acknowledged on the copyright page. Just call me Tomacy from now on. This hardback book, which is 290 pages, is about the same size as an American softcover book. It measures 6 x 8 inches. And, as far as I can tell, it includes the same material found in the University of Minnesota reissue from 2000. The book begins with the introduction by Kenneth Tynan, and concludes with the afterword by Lotte Eisner and a filmography - all in Russian. The big difference is the number of images. There are four 16 page inserts featuring portraits and film stills, as well as other miscellaneous images scattered throughout the book.



All in all, it is a very nice production. I am very pleased to have it. Thank you Rosebud Publishing! I looked around online and found a European website from which this book can be purchased. The website is called RUSLANIA and the catalog page featuring this new edition can be found here. There may be other places on the internet to purchase this book. That is the first one I came across. Curiously, the RUSLANIA page shows a copy of the book with a different cover. I am presuming that it is an earlier design. I have to admit, I like it better than the actual cover as depicted above.

The back of this new edition contains a brief bit of text in Russian which I am curious to know what it means. Can anyone translate it? I would really appreciate it. Please post an translation in the blog comments.
 

Thursday, January 1, 2009

Two new editions of Lulu in Hollywood

Two new editions of Lulu in Hollywood have just been released. 

Louise Brooks' acclaimed book of autobiographical essays, first published in the United States in 1982, have over the years been published in England and in translation in France, Italy, Germany, The Netherlands and Japan. Now comes two new editions - one from France and the other from Russia.



The new French edition was published in October by Tallandier. The book is 187 pages and has been translated by Rene Brest. I haven't yet gotten a copy, but plan to. It can be ordered through Amazon France or Amazon Canada. I usually order French-language books through amazon.ca because it it easier for me to navigate the site.

I don't know much about the Russian edition, except that it was published by a company called Rosebud (it may be their first publication), in cooperation with a Museum of Cinema.  Over the last year or two, I had been in email contact with a Russian publisher concerning a new edition of Lulu in Hollywood. Perhaps this is it.  My google translation add-on indicates, apparently, that the Louise Brooks Society, Estate of the Louise Brooks Estate, and the George Eastman House, all receive special thanks in this new edition.

More about this new edition can be found on this Russian-language LiveJournal page and on this Russian Cinematheque webpage. From what I can deduce, the publication of this new edition coincided with a mini-retropsective of Brooks' films in which three of the actresses films were screened along with Louise Brooks: Looking for Lulu. Some of the links on the latter Russian-language webpage lead to a Russian-language filmography and discussion of Brooks' films.

Tuesday, August 14, 2007

Uncommon edition

Today, I received a copy of a book I had ordered over the internet. I received Lulu en Hollywood, the Spanish edition of Lulu in Hollywood. This first edition copy was published in Barcelona by Ultramar Editores, S.A. in November, 1984. As far as I can tell, this Spanish-language edition is pretty similar to the English-language edition. There is the introduction by William Shawn, seven essays by Louise Brooks, and an afterward by Lotte Eisner - all in Spanish. The only exception I have noted is in the filmography.

For some curious reason, the translator or editor of this edition added a film to Brooks' credits. In Lulu en Hollywood, Brooks is credited with having appeared in Robert Florey's Hollywood Boulevard (1937). Of course, Brooks did not appear in this film. And it's not the first time she is listed as having appeared in it. But there it is in this book. Why someone added I don't know.

Wednesday, February 23, 2005

Lulu a Hollywood

Today, a book I had purchased over the internet arrived in the mail . . . . I received a copy of Lulu a Hollywood, by Louise Brooks. This is the Italian edition ofLulu in Hollywood. This book was first published in Italy in 1984. My copy was issued by the publishing company Ubulibri in 2003. The book was translated from English to Italian by Marcello Flores d'Arcais.

This edition is pretty similar to the three American editions with which most fans are familiar. Except for a one-page "Scritti di Louise Brooks" (or "Writings by Louise Brooks") added to the end of the book, this Italian edition features the same content as the English-language editions. Interestingly, the portraits of Garbo and Gish included at the beginning of Brooks' essay in the English-language edition have been substituted with different images of the actresses. Otherwise, all of the images included in the English-language editions are included in this Italian edition, though this copy also includes additional images from Capitan Barbablu (A Girl in Every Port) and Lulu (Pandora's Box). The book - which sells for 16 Euros - also has a different cover. The black-and-white front cover is the Eugene Richee portrait of Brooks wearing pearls. The rear cover is its mirror image.

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