Showing posts with label Liza Minelli. Show all posts
Showing posts with label Liza Minelli. Show all posts

Monday, February 11, 2013

Louise Brooks influence on contemporary (ac)tresses

Just last week, an article ran on the AfterElton website about the making of Cabaret, the 1972 film based on Christopher Isherwood's The Berlin Stories. The piece included interviews with some of the principals involved in the hit movie. Liza Minelli said this:
Well I was sitting with my dad, who was the quietest man, and he helped me so much with the look of Sally. I had thought that Sally should look like Marlene Dietrich. I thought, that's what the '30s was! But my dad said "No, no" and he showed me pictures of Louise Brooks, Louise Glaum, Theda Bara - so I got interested in it. And I designed the makeup before I went over there.
The influence of Louise Brooks on the look of Sally Bowles (as played by Liza Minelli) has been mentioned before. It is also one of a number of instances where Brooks' look - especially her hair - has affected the appearance and behavior of a movie character. Other widely acknowledged examples include Cyd Charisse in Singin' in the Rain (1952) and Melanie Griffith in Something Wild (1986).

Another instance of Brooks' influence just recently came to my attention. Molly Ringwald hairstyle in Pretty in Pink (1986), apparently, was also based on Brooks' bobbed hair. In her 2010 book, Getting the Pretty Back, Ringwald writes: "I decided that I was not going to be one of those "long hair" girls. . . .  I was better off creating my own look and embracing it. I looked to the past for inspiration. Louise Brooks for the bob in Pretty in Pink. . . . " Later in her book, Brooks is evoked again.

Sunday, May 4, 2008

Liza Minelli

Liza Minelli, star of Cabaret - a film of interest to all those interested in Louise Brooks and the Weimar period, is currently in Forth-Worth, Texas, where she will be making an appearance at Bass Hall. The local paper, the Forth-Worth Star Telegram, asked the performer a few questions which were transcribed to today's edition. Minnelli mentions Louise Brooks in these excerpts.

Liza Minnelli has show business running through her veins. Not only does she have legendary parents -- Judy Garland and director Vincente Minnelli -- but she's an icon herself. Her storied career spans the latter half of the 20th century, and along the way she picked up numerous awards, including an Emmy, three Tonys, an Oscar for the 1972 film Cabaret and a "Grammy Legend Award" in 1990.
Minnelli is making her Bass Hall debut tonight, part of a weeklong celebration of the hall's 10th anniversary. Minnelli, who has been touring in Europe, will do her trademark material and will perform work from one of her mentors,  composer / musician / singer / actress Kay Thompson, who was a vocal coach for Garland, Lena Horne and Frank Sinatra, among others.
We asked her a few questions about the show and her career.
Is there anything autobiographical in this show?
I have to talk about my life when I talk about Kay. This is my godmother. I learned to appreciate music early because of her, and I learned from her joy of life, her pizzazz. She's my idol.
With show-business parents, was it a given that you would enter that world, too?
They were involved in Hollywood, so that was boring to me. I wanted to be an ice skater. I wanted to go to the Olympics. But then I saw Bye Bye Birdie on Broadway in 1960, and I knew that's what I wanted to do.
Do people assume that you had an easy route into show business?
They do. But I started off-Broadway, moving scenery. I did years of summer stock. I was a "flower who bloomed between the floorboards of the stage." Charles Aznavour told me that. You make it not because of your parents' success, but in spite of it. That's why so many people who are the sons and daughters of whoever don't make it, because it's too tough. What about Frank Sinatra Jr.?
I recently saw the movie Cabaret again, and it's still amazing. How did you approach the role of Sally?
I thought everybody in Germany looked like Marlene Dietrich. I thought "I'm going to pluck out all my eyebrows and dye my hair blonde." I went to my father, like I usually did, and he showed me all those great stars from the '20s. I saw Louise Brooks and my hair was brunette.
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