NitrateVille Radio Episode 10: Cinecon, with Stan Taffel and Michael Schlesinger • Beggars of Life, with author Thomas Gladysz
I went to France and all I got was a cold, but the podcast must go on, so in this episode I talk about one of the top festivals of the year, coming over Labor Day weekend, and a major silent film video release coming out August 22.
(01:58) Labor Day weekend brings the 53rd annual Cinecon in Hollywood, and I talk to Stan Taffel and returning guest Michael Schlesinger about how they dig through the studio vaults to find rarities to show at Los Angeles' best fest for the film buff who's seen everything. They talk about working with the studios to identify titles for restoration and making sure those restorations actually get seen, and about guests like Norman Lloyd, Patricia Morrison and Marsha Hunt, our last links to the golden age of Hollywood.
Here's the link to the Cinecon site, for tickets, the schedule, hotel info and more. Here's the Cinecon Facebook page.
(24:13) A stark, exciting tale of hobo life, starring Wallace Beery, Richard Arlen and Louise Brooks (disguised as a boy), Beggars of Life was William Wellman's followup to his big hit Wings and one of those great late silents from the last moment (1928) the form would exist. Kino Lorber's release of the George Eastman House restoration, with music by the Mont Alto Motion Picture Orchestra, is a vast improvement on grey market releases and allows this film to be seen as it should be.
Thomas Gladysz, founder of the Louise Brooks Society (an acclaimed scholarly fan page that has existed since 1995), provides a commentary track on the Kino release and has also written a companion book, Beggars of Life: A Companion to the 1928 Film. I talk to him about this film, which among other things, stands out as Brooks' best work in America and likely the film that attracted the attention of G.W. Pabst for Pandora's Box and Diary of a Lost Girl.
Here's the Kino blu-ray and DVD, which will be released August 22. Here's Gladysz's book, available now.
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