Sunday, November 22, 2015

Louise Brooks in Norway, part 1

This post originally appeared on Facebook. The clippings were found by Tor Lier, and he also authored the commentary and provided the translations. It is a great haul of previously undocumented material.

«LOUISE BROOKS IN NORWAY»

In chronological order, some clippings from the archives of Aftenposten, the leading daily newspaper in Norway.

Aug. 30, 1926: Oslo premiere of Shingle-Eksperten (The Shingle Expert) (A Social Celebrity). Evidently considered a big enough picture to warrant two theaters.

The text reads: "ADOLPHE MENJOU has long since conquered both women’s and men’s hearts. In SHINGLE-EKSPERTEN he undoubtedly has one of his best parts, and he’s supported with surety and elegance by the lovely LOUISE BROOKS whose beauty has justifiably caught the attention of the whole world."
«Shingle» refers to the bobbed hair at which Menjou’s character is evidently an expert.

Jan. 19, 1927: Ad for Oslo showings of Før og efter bryllupet (Before and After the Wedding) (The Show-Off). Text reads: "In this jolly comedy, the triumvirate of everyone’s Lois Wilson; the lovely and charming Louise Brooks; and the famous comedian Ford Sterling, are leading the fun. Which guarantees a great time for the audience. This is a film you should see!!!"


May 18, 1927: Shingle-Eksperten (The Show-Off) in re-release.

Elsk Mig (Love Me) with Leatrice Joy and Edmund Burns could be either Hell’s Highroad (1925) or Made for Love (1926), I’m guessing it’s the latter.

Siste Chance (Last Chance) (Seven Chances)

Evig Din i 14 Dage with Clara Bow and Lawrence Gray has to be Kid Boots. Poor Eddie Cantor, the star of the film, isn’t mentioned!




Oct. 10. 1929: For once, the title «En pike i hver havn» is a literal translation of the original, A Girl in Every Port. Underneath, coincidentally, is an ad for a film featuring Sig Arno of Pandora’s Box. The original title of this film is Das Mädel mit der Peitsche (The Girl with the Whip)!

In an ad from five days later, Oct. 19, Louise is now first-billed over McLaglen!



Could not find a trace of the Pabst films in the ’29 or ’30 archives. Both Pandora and Diary may have fallen afoul of Norwegian censorship, which was quite strict, or there may have been other problems. However, the premiere of Prix de beauté (Skjønhetskonkurransen, literally «The Beauty Contest») (April 28, 1930) shows that the actress was not quite forgotten: «The Louise Brooks film of the year, made in Paris!»  Peculiarly, the ad credits cinematographer Rudolph Maté with being the director of the film!

Thanks to Tor Lier for permission to reprint this material.

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