1) SHERLOCK HOLMES: By the time Sherlock Holmes (1916) was made, its star William Gillette was long established as the world's foremost stage interpreter of Arthur Conan Doyle's famous character. Gillette visually defined Holmes' methods, manner, and look, especially his signature attire, and his performances were widely praised, even by Doyle himself. This film, long thought lost, was recently found and restored and here makes its North American debut. See where the future Holmeses--John Barrymore, Basil Rathbone, Jeremy Brett, Benedict Cumberbatch and the rest--come from. [Reportedly, fans are flying in from all over for this special screening, which is being underwritten by a major Holmes collector. If you can't make the event, Flicker Alley announced that they will be releasing the film on DVD in the fall.]
|Tinted scenes from Sherlock Holmes, courtesy San Francisco Silent Film Festival|
2) DR. WHO: It's no surprise the popular time-travelling British television character enjoys silent cinema, as he likely experienced its glories during his many adventures in space and time.... Real life British actor Paul McGann, the actual 8th Doctor and himself a devotee of silent film and Louise Brooks, live narrates a couple of presentations, including The Ghost Train (1927), a decidedly Whovian film which tells the story of eccentric travelers stranded at a dubiously haunted station.
3) COLLEEN MOORE: She was as popular as Clara Bow, and had pulchritude not unlike that of Louise Brooks. Yet, how many can claim to have seen one of her pictures? Colleen Moore is perfect in Why Be Good? (1929), where she plays the aptly-named Pert Kelly, shop girl by day, flapper by night. F. Scott Fitzgerald wrote: "I was the spark that lit up Flaming Youth, Colleen Moore was the torch."
|Why Be Good?, courtesy San Francisco Silent Film Festival|
4) LOCAL HISTORY: The Festival screens When the Earth Trembled (1913), a newly restored film that's likely the first feature about the 1906 earthquake. It contains some nifty special effects and rare footage shot in San Francisco in the days following the disaster. And, to mark the 100th anniversary of the Panama Pacific International Exhibition (a world's fair that celebrated The City's recovery), the Festival will also screen short films shot at that historic event.
5) KEVIN BROWNLOW: Arguably, the above mentioned festivals might not exist without Kevin Brownlow: author, archivist, documentarian, champion of the silent cinema, and Louise Brooks' friend--Brownlow's importance to film history cannot be emphasized enough. His 1968 book, The Parade's Gone By, inspired a generation of enthusiasts. It's a must read. His 1979 TV series, Hollywood, set the standard for just about every documentary that followed. In 2010, in recognition for all he has done, Brownlow received an Academy Honorary Award, the first time an Oscar was awarded to a film historian! The British film preservationist will be in conversation prior to the screening of his restoration of the Festival's closing film, Ben Hur (1925).
6) FAN FAVORITES: This year's films star legendary names like John Gilbert and Greta Garbo, Ramon Novarro, and Harold Lloyd. But look a little deeper into the credits and you'll find up-and-comers whose reputations were made in later years, like Boris Karloff in The Deadlier Sex (1920), and Neil Hamilton (Commissioner Gordon in TV's Batman, and one of the stars of Brooks' first film, The Street of Forgotten Men) in Why Be Good?
|Gilbert and Garbo in love, courtesy San Francisco Silent Film Festival|
7) LEGACY: With the passage of time, the children and grandchildren of silent film personalities are as close as we may come to their work. In attendance will be actor William Wellman Jr., son of the Academy Award winning director William Wellman (whose credits include the 1928 Brooks' film Beggars of Life) and author of the just released biography Wild Bill Wellman: Hollywood Rebel. Also presenting or signing books are Suzanne Lloyd, granddaughter of Harold Lloyd, and Jessica Niblo, daughter of Why Be Good? director William Seiter.
8) SPECIAL GUESTS: Well known critics Leonard Maltin and David Thomson will also be on hand, as will authors and film historians John Bengtson, Cari Beauchamp (My First Time in Hollywood), Jeff Codori (Colleen Moore: A Biography of the Silent Film Star), David Pierce (The Dawn of Technicolor), Weihong Bao (Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945), and others, including Thomas Gladysz, editor of the Louise Brooks' edition of The Diary of a Lost Girl.
9) SPOKEN DIALOGUE: The Donovan Affair (1929) was Frank Capra's first "100% all-Dialogue Picture." Its soundtrack, however, has been lost. For this special screening, the soundtrack will be recreated with live dialogue by Allen Lewis Rickman (Boardwalk Empire), Yelena Shmulenson (A Serious Man, The Good Shepherd), veteran actor, writer, director Frank Buxton (who similarly voiced a part in Woody Allen's What's Up, Tiger Lily?) and others. Not to be missed.
10) MUSIC: Most every film, from the shortest short to the longest epic, is presented with live musical accompaniment. Making their Festival debut are the Berklee Silent Film Orchestra from Massachusetts, and returning are the Mont Alto Motion Picture Orchestra, Matti Bye Ensemble (winners of the Golden Beetle, Sweden's Oscar), and musicians Donald Sosin, Stephen Horne, Frank Bockius, Guenter Buchwald, and others.
11) ASIAN CINEMA: The Asian Cinema did not start with Kurosawa, martial arts films, or Bollywood. For a number of years, the Silent Film Festival has included a stellar example of early movie making from Japan , China or India. This year's film is Cave of the Spider Women (1927), a rare example of a magic-spirit film, a popular genre in the 1920s. The film set box-office records in China in 1927, but was considered lost until its discovery in Europe.
|Cave of the Spider Women, courtesy San Francisco Silent Film Festival|
13) THE LAST LAUGH (1924): In his greatest role, Oscar winner Emil Jannings plays the chief porter at a prestigious hotel, a position affording him respect and dignity. His uniform is the emblem of his stature¬--and a source of great personal pride; thus, his subsequent demotion to washroom attendant is devastating. The film's pathos is bolstered by its technical innovation--F.W. Murnau's fluid camera is as beautifully expressive as Jannings's performance. So much so, the story flows without the need for intertitles. The Last Laugh is one of the great films of the Weimar era. Expect to shed a tear, or two, or three.
|The Last Laugh, courtesy San Francisco Silent Film Festival|
15) ALL QUIET ON THE WESTERN FRONT (1930): We've all read the book or seen the movie. The Festival will screen the long lost silent version of the sound film, which some scholars think superior to the more familiar early talkie; that's a big claim considering Lewis Milestone's anti-war drama was the first to win Academy Awards for both Outstanding Production and Best Director. This opening night presentation features a new score and live sound effects created especially for the silent version.
16) FREE PROGRAMS: Every year, the Festival sponsors a free public program on film preservation. It's pretty interesting, and a sure bet you'll see things your film-buff friends wish they had seen. Rare, fragile, and once thought lost films are screened, and noted individuals working in the field speak: Bryony Dixon, senior curator of silent film at the British Film Institute, is bringing a treasure trove of footage about the Lusitania; Serge Bromberg of Lobster Films in Paris will show Maurice Tourneur's House of Wax (1914); and local preservationist Rob Byrne will describe reconstructing Sherlock Holmes.
17) AMAZING CHARLIE BOWERS: Mix a little slapstick with a little Rube Goldberg and a little Buster Keaton with a little anything-goes-fantasy and you end up with Charlie Bowers, a long-forgotten, idiosyncratic, Iowa-born filmmaker once championed by the French Surrealists, who loved Bower's inventive mix of live action and puppet animation. Only recently rediscovered, Bower's surviving shorts have now been beautifully restored. You haven't lived until you've seen Now You Tell One (1926), with its scene of elephants marching into the U.S. Capitol.
|Charlie Bowers, courtesy San Francisco Silent Film Festival|
19) CASTRO THEATER: The Festival takes place within the confines of the historic Castro. Built in 1922, this grand neighborhood movie theater is one of the last standing picture palaces in the San Francisco Bay Area. Early on, Oscar winner Janet Gaynor was an usherette there.
20) AN ANNIVERSARY CELEBRATION: This year's event marks 20 years of properly presented 35mm film with live musical accompaniment, a Festival hallmark. Following the opening night presentation, experience a festive Weimar-era nightclub--the Kit Kat Klub, the Festival's version of a 1920s Berlin cabaret. There will be a chanteuse, music, dancing , food, drink, "relaxed social attitudes", and a special cocktail--the Voluptuous Panic. Period attire suggested.