Cora has no idea what she’s in for: teenage Louise, already stunningly beautiful and sporting her famous blunt bangs and black bob, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will change both of their lives.
For Cora, New York holds the promise of discovery that might prove an answer to the question at the center of her being, and even as she does her best to watch over Louise in a strange and bustling city, she embarks on her own mission. And while what she finds isn’t what she anticipated, it liberates her in a way she could not have imagined. Over the course of the summer, Cora’s eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive.
Drawing on the rich history of the 1920s,1930s, and beyond – from the orphan trains to Prohibition, flappers, and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women – Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and values to hemlines and attitudes were changing, and what a profound difference it made for the real life Louise Brooks, the fictional Cora Carlisle, and others like them.
Recently, Moriarty answered a few questions about her new book for the Louise Brooks Society.
I was browsing in a bookstore, and I came across the book Flapper by Joshua Zeist. He has a chapter devoted to Louise, and I’d always thought she was compelling. I started reading about her early life, and right there in the bookstore, I learned about the trip with the chaperone. Given what I already knew about Louise – that she was smart, self-directed, and temperamental – I knew this chaperone must have had her work cut out for her.
What is it about their story that interests you?
I’m always interested in inter-generational tension, and 1922 strikes me as a time when just a twenty-year gap in ages could make such a difference between two people. If the chaperone was 36 in 1922, she would have come of age during a time of corsets and covered ankles. The flappers with their bared knees – and all the changing social mores that fashion represents – would have been hard to get used to. So the chaperone might have been challenged by any forward-thinking adolescent, let alone the already sophisticated Louise Brooks.
I was also intrigued by Louise’s complicated personality and story. She was both smart and self-destructive, and I wondered about her sudden disappearance from Hollywood. One thing that impresses me about Louise is how authentic she was – she acted as she felt and she said what she thought. Hollywood wasn’t the right place for her.
Did writing The Chaperone involve much research? What were the challenges of writing about two historical figures - one of which we know a good deal about, the other obscure?
I did a great deal of research for this book. Researching Louise was actually the easy part – I read her biographies and her autobiography, and I watched her films. I even looked at her old letters to see her handwriting. But I actually had to do more research for the chaperone, Cora, because even though she was invented, I wanted to make her a woman of her time, to make her someone who could have been thirty-six in 1922. But I really liked weaving Cora’s imagined life into the real facts of Louise’s.
Were you a fan of Louise Brooks?
I knew who she was and I thought she was striking, but I wasn’t a fan until I started reading about her. I’m certainly a fan now.
When did you first encounter her? Is there anything you learned about Louise Brooks that surprised you?
I don’t remember when I first learned who she was. I know I tried to copy her haircut back in my twenties, and it completely didn’t work on me! But it wasn’t until that day in the bookstore that I started learning about her life.
As for surprises, there was an answer Louise gave to a question in her old age that I found really moving. LB fans will know, I think, what I’m alluding to, and I don’t want to ruin it for people who haven’t yet read her biography. But late in life, someone asked the hard and worn-down Louise if she’d ever really loved anyone, and her answer was pretty touching. I wish I could have been a fly on the wall when she was interacting with this person, the one person she could admit she loved.
The Chaperone has been described as "the best kind of historical fiction, transporting you to another time and place, but even more importantly delivering a poignant story about people so real, you'll miss and remember them long after you close the book." That is a wow. What's next?
Thanks! I really have liked writing historical fiction, and my next novel will be historical as well. I’m just starting the research now . . .
Fans of Downton Abbey will be thrilled to learn that actress Elizabeth McGovern reads the audio version of The Chaperone, which is due out in July. McGovern has also optioned the movie rights - and yes, Cora (her character in Downton Abbey) could end up playing Cora in any possible film. Who might play Louise Brooks is anyone's guess. Want to find out more about this fantastic novel? Check out this video interview with Laura Moriarty from USA Today.