Tuesday, February 21, 2012

Louise Brooks in the New Yorker

Christopher Isherwood, author of the Berlin Stories - which became Cabaret, had a thing for Louise Brooks' neck. He raved about it. Film critic David Denby has a thing for Louise Brooks' back.

Writing in the current issue of the New Yorker magazine, Denby has authored a long piece celebrating the silent film era and Michel Hazanavicius’s The Artist. Louise Brooks' back plays a central role in Denby's piece, and, she is pictured more than once. Denby's four page article is well worth reading. Check it out here.

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